Lee Gaskell
Setlist Carrot - Setlist.fm
Snapshot
Publisher DNA
What defines Lee Gaskell?
AI intelligence is not yet available for Lee Gaskell. The portfolio data below is up to date.
Portfolio
What does Lee Gaskell ship?
Apps
1 app analysed
SwiftUI implementation allows for a quick and responsive user interface experience during concert discovery
- The app provides a convenient way for frequent concert goers to recreate live music experiences
- Playlist creation functionality for Apple Music fails to trigger or execute as expected for users
Single-market publisher, every app ships only to United States.
Based on 1 of 1 app with localized market data Β· last scanned .
Americas (1)
- United States1 / 1
Core markets (1/1 apps)
User Sentiment
How do users feel about their apps?
0
Positive apps
1
Neutral / mixed
0
Negative apps
50/100
Avg sentiment score
Rivals
Who does Lee Gaskell compete with?
The rivals identified
Nemeses(1)
JBL Portable competes for the same music-centric user base by controlling the hardware-software ecosystem, effectively owning the playback experience that Setlist Carrot aims to curate.
Contenders(4)
This app competes for the attention of high-fidelity music listeners who demand precise control over their playback environment.
This app captures the same concert-going audience by providing exclusive artist-specific utility and ticket management.
Both apps target the live music enthusiast, though LiveTrackz focuses on the performance/creation side while Setlist Carrot focuses on the consumption/research side.
Music Info overlaps with Setlist Carrot by providing deep metadata and discovery tools for the modern music listener.
Same space(4)
This app occupies the music utility space by providing tools for score management and notation, relevant to the same musical audience.
MIDITROL shares the music utility category by focusing on the connectivity and mapping of musical hardware.
This app serves the technical side of the music industry, providing control interfaces that complement live music production.
Both apps serve the live music ecosystem, focusing on the technical requirements of managing music data during a performance.
New entrants(2)
A new entrant focusing on the collaborative and organizational aspects of music groups, competing for the attention of organized musical communities.
This newcomer targets the music utility space by streamlining the transfer and management of music libraries across devices.