MIDIculous
For professional and semi-professional keyboardists, gospel musicians, and studio producers requiring high-quality, portable sound modules.
MKSensation
Snapshot
Who is MIDIculous?
Providing professional-grade virtual instruments and music production tools for keyboardists and producers. Focused on high-fidelity sound emulation for live performance and studio environments.
Target audience
Portfolio
Free 5Last updated
MKSensation
v1.1.1
11y ago
Publisher DNA
What defines MIDIculous?
Publisher DNA
Primary focus
Music production software and virtual instrument libraries
Scale
studio
Target audience
Professional and semi-professional keyboardists, gospel musicians, and studio producers requiring high-quality, portable sound modules.
Signature Patterns
- •Focus on high-fidelity sampling and emulation of vintage keyboard hardware
- •Hybrid monetization strategy utilizing both free-to-try and paid-upfront models
- •Emphasis on live performance features like instant layering and MIDI automation
- •Targeting professional musicians with specific genre-focused sound libraries
Portfolio momentum
Released 5 updates across 17 apps in the last 6 months, with consistent maintenance of core professional music titles.
Portfolio
What does MIDIculous ship?
Apps
17 apps analysed
Single-market publisher, every app ships only to United States.
Based on 1 of 17 apps with localized market data, more coverage rolling in as scans complete · last scanned .
Americas (1)
- United States1 / 1
Core markets (1/1 apps)
Rivals
Who does MIDIculous compete with?
The rivals identified
Nemeses(3)
Both apps target mobile music producers seeking professional synthesis on iOS, creating direct competition for the same production workflow.
Both apps target mobile music producers with high-fidelity synthesis engines, competing for the same prosumer iOS market segment.
Both apps target music producers seeking reverb effects for DAW workflows, with Analog Rack Reverb undercutting the price of IMPULSation by six dollars.
Contenders(12)
Both apps target mobile music producers on iOS who require professional tools for synthesis and production workflows.
Both apps target mobile music producers, though BASSalicious 2 focuses on professional bass synthesis while KORG iKaossilator targets hobbyist freestyle composition via touch-based interfaces.
Both applications target professional iOS music producers with premium-priced synthesis tools, creating direct competition for studio workflow integration and sound design utility.
Both apps target musicians requiring expressive keyboard instruments, but they differ in scope: FM TINES provides a specialized, pre-curated FM piano library, while Bliss functions as a general-purpose AUv3 sampler and resynthesis engine.
Both apps target musicians seeking keyboard instruments, though FM TiNES focuses on specialized FM synthesis while Aurelia provides a general-purpose grand piano interface.
Both applications target keyboard musicians seeking specific tonal textures, with FM TINES focusing on 80s FM synthesis and Pure Piano on multi-sampled grand piano textures.
Both apps target mobile music producers with professional virtual instruments, creating direct competition for the same production workflow and hardware resources.
Both apps target mobile musicians requiring AUv3-compatible virtual instruments for DAW workflows, competing directly for the same production-focused user base.
Both apps target musicians and composers, creating a direct overlap in the virtual instrument market despite differing price points and deployment platforms.
Both apps target mobile musicians needing professional sound processing, with BIAS FX 2 capturing bass players through its guitar-centric effects library and rig-building tools.
Both apps target mobile music producers seeking expressive, instrument-specific synthesis for their compositions. They compete for limited space in the mobile production workflow.
Both apps target mobile musicians and producers, competing for the same limited storage and workflow time on iOS devices.
Same space(19)
Provides a sampling tool for the same mobile production audience, whereas FM TINES is a pre-built sound library.
Directly competes for the professional mobile producer audience with high-fidelity vintage piano modeling.
Provides a portable practice utility for the same audience, focusing on skill improvement mini-games rather than professional synthesis.
Resampler Bitcrusher serves the same mobile music production audience as an effect plugin, providing sound design tools that process the output of instruments like BASSalicious 2.
Offers a wide variety of instrument sounds for the same audience, lacking the specialized FM focus of FM TINES.
harpSampler shares the custom audio import workflow of IMPULSation but applies it to virtual instrument creation rather than acoustic space simulation.
Competes for the same casual music enthusiast audience but uses a rhythm-game model rather than the professional synthesis approach of FM TINES.
Provides a gamified learning entry point for the same audience, contrasting with the professional sound-shaping focus of FM TINES.
Offers a broader educational suite for the same piano-interested audience, whereas FM TINES focuses on specific FM-style sound generation.
Targets the same piano-playing audience with a focus on simplicity, while FM TINES emphasizes advanced velocity-sensitive sound shaping.
Functions as a basic digital keyboard for the same audience, lacking the advanced sound modulation capabilities of FM TINES.
Uses FM synthesis like FM TINES but targets a different niche by focusing on just intonation and alternative temperaments.
Targets the same production-focused audience but relies on a cloud-based architecture that creates friction compared to FM TINES.
Acts as a learning tool for the same audience, offering sheet music guidance that FM TINES does not provide.
Serves as a utility for the same musician audience, providing tempo tracking and practice modes that complement the sound-shaping focus of FM TINES.
Provides a zero-friction piano simulator for the same audience, lacking the professional sound-shaping depth of FM TINES.
Targets the same piano-focused user base but prioritizes general instrument simulation over the specialized FM synthesis found in FM TINES.
Thereminator 2 occupies the same iOS music production category as a specialized instrument, complementing the synth bass focus of BASSalicious 2 with expressive touch-based performance.
Provides a general-purpose instrument simulator for the same user base, lacking the specific FM synthesis engine of FM TINES.
New entrants(2)
Shares the FM synthesis focus of FM TINES but provides a broader four-oscillator architecture for general sound design.
Provides a utility for the same production audience, focusing on performance capture rather than sound generation.
The Analyst's Read
The bottom line on MIDIculous
Bottom line
MIDIculous LLC is a specialized studio that has successfully captured a loyal segment of the professional keyboardist market through high-fidelity sound design. Their ability to maintain relevance in the pro-audio space depends on their continued optimization of complex DSP for mobile hardware.
Frequently asked questions
How many apps does MIDIculous publish?
What kind of apps does MIDIculous make?
What is MIDIculous's top app?
In how many countries are MIDIculous's apps available?
What fed this analysis
- Apps analyzed:
- 17
- With full intel:
- 0
- With overview:
- 17
- Website scraped:
- yes
- Social presence:
- yes
