entradas.com
entradas.com - Buy tickets
Publisher DNA
What defines entradas.com?
AI intelligence is not yet available for entradas.com. The portfolio data below is up to date.
Portfolio
What does entradas.com ship?
Apps
1 app analysed
Distributed across 12 markets, strongest in Europe.
Based on 1 of 1 app with localized market data · last scanned .
Americas (3)
- Brazil1 / 1
- Mexico1 / 1
- United States1 / 1
Europe (7)
- France1 / 1
- Germany1 / 1
- Italy1 / 1
- Netherlands1 / 1
- Portugal1 / 1
›+2 more europe markets
- Spain1 / 1
- Sweden1 / 1
Asia-Pacific (2)
- Japan1 / 1
- South Korea1 / 1
Core markets (1/1 apps)
Rivals
Who does entradas.com compete with?
The rivals identified
Nemeses(1)
Both platforms facilitate ticket discovery and purchase for live events, creating direct competition for users seeking concert and theater access.
Contenders(4)
Both platforms provide centralized event discovery and ticket purchasing for concerts and theatre, targeting users who want to track favorite artists via music library integration.
Both platforms facilitate ticket purchases for live entertainment in Spain, creating direct competition for users seeking opera and theatre performances.
Both apps compete for event-goers in Spain, with entradas.com providing national coverage while Kultur targets regional last-minute inventory.
Both platforms serve as marketplaces for live event discovery and ticket purchasing, competing for users seeking seat selection and event access.
Same space(16)
2NITE serves the same event-going audience by focusing on presale access and price comparison across major providers.
falles.app serves the same community-based event audience by digitizing logistics and ticketing for local committees.
ATG Tickets targets the theatre-going segment, offering a specialized experience that bundles tickets with venue-specific hospitality.
EVENTIM DE competes as a large-scale ticketing platform for the same regional event-going audience, offering broad inventory across multiple categories.
DFB Event-App serves the same audience for stadium-specific events, focusing on secure digital entry and ticket management.
Fever competes for the same Spanish event-goer audience by offering exclusive, high-production pop-up experiences that generalist platforms cannot replicate.
Gametime targets the same event-going audience by capturing last-minute demand through a post-start purchase window that primary platforms lack.
Primavera Sound serves the same event-going audience during specific festivals, providing navigation and scheduling tools.
SeatGeek competes for the same event-goers by providing data-driven tools to evaluate ticket value in a secondary market.
StubHub serves the same audience by providing a massive secondary marketplace for global event discovery and resale.
TicketSource serves event organizers within the same ecosystem by providing tools for ticket scanning and guest management.
TicketSwap functions as a regulated secondary market for the same Spanish event-goers, focusing on security and price-capped resale rather than primary ticket sales.
TodayTix serves the theatre-going segment of the Spanish market by providing specialized access to high-demand shows through non-standard inventory channels.
viagogo provides a global secondary marketplace for event tickets, overlapping with the user base seeking hard-to-find or sold-out event access.
Vivid Seats serves the same event-going audience by using a loyalty-based retention loop to encourage repeat ticket purchases.
XCEED targets the electronic music segment of the event-going audience, focusing on discovery for clubs and festivals.
