PLVR TECH PTE
PLVR - Live Events & Tickets
Publisher DNA
What defines PLVR TECH PTE?
AI intelligence is not yet available for PLVR TECH PTE. The portfolio data below is up to date.
Portfolio
What does PLVR TECH PTE ship?
Apps
1 app analysed
4-click checkout reduces transaction friction
- The streamlined ticket purchasing process allows users to secure event access with minimal friction
- The high-contrast dark interface makes specific text elements difficult to read for some users
Single-market publisher, every app ships only to United States.
Based on 1 of 1 app with localized market data · last scanned .
Americas (1)
- United States1 / 1
Core markets (1/1 apps)
User Sentiment
How do users feel about their apps?
1
Positive apps
0
Neutral / mixed
0
Negative apps
90/100
Avg sentiment score
Rivals
Who does PLVR TECH PTE compete with?
The rivals identified
Nemeses(1)
Both apps compete for the same live event ticket market, targeting users who prioritize mobile-first purchasing for concerts and sports.
Contenders(8)
Both applications target the local nightlife and live event discovery market, competing for the same user base seeking weekend entertainment plans.
Both apps target urban nightlife discovery and ticketing, competing for the same social-planning user base in major cities.
Both apps target the same event discovery market by providing localized feeds for concerts and festivals to users seeking live entertainment.
Both apps target nightlife discovery and event participation, competing for the same user attention during weekend planning.
Both applications compete for the same urban nightlife audience by providing discovery and ticket purchasing tools for local events.
Both apps target live music fans for event discovery and ticket acquisition, competing directly for the same local concert-goer demographic.
Both applications facilitate ticket purchasing for live entertainment, with SeatGeek capturing a broad market of sports and theater while PLVR focuses on music and nightlife discovery.
Both apps compete for the same music enthusiast demographic by providing event discovery and ticket booking services within the live entertainment market.
Same space(20)
2NITE targets the same music-event audience by providing a radar for presale codes and event discovery.
AllEvents captures the same local discovery audience by aggregating fragmented listings, particularly in rural segments.
ATG Tickets targets the same live-entertainment audience by bundling theater tickets with venue-specific hospitality extras.
EVENTIM DE targets the same event-goer demographic by providing a centralized hub for regional and national event discovery.
EVENTIM DE targets the same event-goer demographic by providing a centralized hub for regional and national event discovery.
DICE competes for the same music-focused audience by enforcing a mobile-first, primary-issuance model that eliminates secondary resellers.
Festnetz serves the same local discovery audience by bypassing city-centric platforms to focus on regional event density.
Fever targets the same experience-seeking demographic by securing exclusive rights to high-profile immersive events.
Live Nation targets the same concert-goer audience by providing a centralized hub for tracking tours and managing digital entry.
Luma competes for the same casual organizer audience by replacing email-chain coordination with a consolidated registration and ticketing interface.
Pie serves the same social-event audience by focusing on local, IRL activities to foster community connections.
SeatGeek serves the same live-event attendee base but focuses on secondary market price transparency and visual seat-view tools.
StubHub serves the same event-attendee base but relies on massive inventory scale rather than primary-market integration.
Thursday Events targets the same social-event audience but focuses specifically on curated gatherings for singles.
TicketSmarter targets the same live-event audience by leveraging official partnerships with major stadiums and sports leagues.
Treasure Events targets the same event-management audience by focusing on efficient scanning and check-in workflows.
POV targets the same social event audience but focuses on collaborative photography rather than primary ticket issuance.
Vivid Seats serves the same live-event market by offering a rewards-based incentive structure for frequent ticket buyers.
Vyno targets the same event-goer audience by using a swipe-based interface to simplify local discovery.
XCEED serves the same dance-music audience by acting as a specialized radar for club nights and festivals.
New entrants(2)
Modality targets the same event-producer audience by integrating CRM and marketing tools into the discovery workflow.
Tixel serves the same event-attendee base by enforcing face-value price caps to ensure fair resale market conditions.
