CTS EVENTIM AG
EVENTIM DE: Tickets for Events
Snapshot
Publisher DNA
What defines CTS EVENTIM AG?
AI intelligence is not yet available for CTS EVENTIM AG. The portfolio data below is up to date.
Portfolio
What does CTS EVENTIM AG ship?
Apps
3 apps analysed
Analysis in progress
The EVENTIM.App gives you access to more than 200,000 events every year.
Proprietary EVENTIM.Pass system prevents ticket fraud
- The ticket alarm function notifies users when their preferred bands announce upcoming local tour dates
- Mandatory app usage for ticket retrieval creates significant friction for users without smartphones or reliable connectivity
Analysis in progress
Distributed across 12 markets, strongest in Europe.
Based on 1 of 3 apps with localized market data, more coverage rolling in as scans complete · last scanned .
Americas (3)
- Brazil1 / 1
- Mexico1 / 1
- United States1 / 1
Europe (7)
- France1 / 1
- Germany1 / 1
- Italy1 / 1
- Netherlands1 / 1
- Portugal1 / 1
›+2 more europe markets
- Spain1 / 1
- Sweden1 / 1
Asia-Pacific (2)
- Japan1 / 1
- South Korea1 / 1
Core markets (1/1 apps)
User Sentiment
How do users feel about their apps?
0
Positive apps
0
Neutral / mixed
1
Negative apps
25/100
Avg sentiment score
Rivals
Who does CTS EVENTIM AG compete with?
The rivals identified
Nemeses(2)
Both platforms function as primary ticketing gateways for event-goers, competing directly for the same audience seeking local entertainment and event management tools.
StubHub competes by providing a global secondary ticket marketplace that overlaps with the primary event discovery and purchasing functionality offered by EVENTIM DE.
Contenders(10)
DICE competes for the same live event audience by offering a mobile-native ticketing flow that contrasts with the mandatory, high-friction app-only entry model of EVENTIM DE.
Both platforms compete for the same German event-going audience, with Easy Ticket Service capturing regional Stuttgart demand that overlaps with the national inventory of EVENTIM DE.
Both apps share the same proprietary ticketing infrastructure and brand identity, competing for the same user base of live event attendees who rely on the Eventim platform for secure ticket access.
Both platforms compete for the same urban event-going audience, with Fever capturing users through exclusive immersive content while EVENTIM DE relies on broad inventory access.
FNAC SPECTACLES competes for the same live event booking audience by providing discovery, venue alerts, and ticket purchasing for concerts and festivals. Both platforms function as centralized gateways for event access in their respective European markets.
Both apps function as primary ticket marketplaces for live events, utilizing seating plan booking and personalized artist tracking to manage event discovery and purchase.
Both platforms compete for the same live-event attendee audience by providing centralized ticket discovery and management, despite differing in primary versus secondary market inventory models.
Tixbay competes by providing a secondary marketplace for concert and sports tickets, directly overlapping with the event discovery and purchasing intent of EVENTIM DE users.
Both platforms compete for the same German event-goer audience by providing digital ticket management, with TicketSwap capturing secondary market demand that the primary inventory model of EVENTIM DE: Tickets for Events misses.
XCEED targets the electronic music event segment, overlapping with the festival and concert catalog managed by EVENTIM DE. Both platforms facilitate event discovery and ticket purchasing for live entertainment.
Same space(23)
2NITE competes for the same event-discovery audience as Eventim by providing a radar for music events and presale codes.
AllEvents aggregates community listings to reach the same event-discovery audience as Eventim, particularly in rural areas.
ATG Tickets targets the same theatre-going audience as Eventim by offering direct-from-venue ticket sales and hospitality extras.
DFB Event-App serves as a dedicated utility for DFB ticket holders, mirroring the ticket-management features found in Eventim.
Entradas.com functions as the primary ticketing hub for Spain, mirroring the regional market-leader model of the source app.
This entry represents the same Spanish ticketing platform, focusing on the user experience of event discovery and seat selection.
Festnetz competes for regional event-discovery traffic, offering a clean, ad-free alternative to Eventim's commercial platform.
Fever competes for the same urban entertainment audience by offering exclusive, high-production pop-up experiences that generalist platforms like Eventim cannot replicate.
Gametime captures the spontaneous segment of Eventim's audience by enabling ticket purchases well after an event has already started.
The DTM Official App serves as a specialized companion for motorsport fans, overlapping with Eventim's event-management utility.
Rausgegangen competes for the same local cultural audience as Eventim by focusing on expert-curated recommendations in German cities.
SeatGeek provides a similar marketplace for sports and concert tickets, competing for the same event-going users as Eventim.
ticket.io Scanner Next serves the organizer side of the ticketing ecosystem, complementing the consumer-facing tools provided by Eventim.
Ticketcorner acts as the Swiss regional counterpart, utilizing a proprietary digital pass system similar to the source app.
Ticketmaster operates as the primary global ticketing gateway, sharing the same core function of secure, verified event access as the source app.
TicketOne serves as the regional equivalent to the source app, providing a centralized ticketing platform for the Italian market.
TicketSwap functions as a secondary marketplace for the same music and concert fans who use Eventim, providing a regulated alternative for sold-out events.
TickPick competes for Eventim's price-sensitive users by eliminating buyer service fees on its secondary marketplace.
Tixr serves the same live event audience as Eventim but focuses on verified, face-value ticketing for music and conventions.
TodayTix serves the same theatre-going demographic as Eventim but focuses on specialized access mechanisms for Broadway and West End inventory.
viagogo acts as a large-scale secondary marketplace that overlaps with Eventim's broad concert and festival inventory.
Vivid Seats operates as a nationwide marketplace for live events, competing for the same ticket-buying audience as Eventim.
Vyno competes for the same spontaneous event-discovery audience as Eventim by using a swipe-based interface for local events.
New entrants(2)
MS DOCKVILLE Festival serves as a targeted companion app for Hamburg festival-goers, providing the same event-management utility as Eventim.
Users report: Tixel serves the same resale market as Eventim's secondary partners, focusing on fraud-resistant, face-value transactions.