CTS EVENTIM AG
EVENTIM DE: Tickets for Events
Snapshot
Publisher DNA
What defines CTS EVENTIM AG?
AI intelligence is not yet available for CTS EVENTIM AG. The portfolio data below is up to date.
Portfolio
What does CTS EVENTIM AG ship?
Apps
3 apps analysed
Analysis in progress
The EVENTIM.App gives you access to more than 200,000 events every year.
Proprietary EVENTIM.Pass system prevents ticket fraud
- The ticket alarm function notifies users when their preferred bands announce upcoming local tour dates
- Mandatory app usage for ticket retrieval creates significant friction for users without smartphones or reliable connectivity
Analysis in progress
Distributed across 12 markets, strongest in Europe.
Based on 1 of 3 apps with localized market data, more coverage rolling in as scans complete · last scanned .
Americas (3)
- Brazil1 / 1
- Mexico1 / 1
- United States1 / 1
Europe (7)
- France1 / 1
- Germany1 / 1
- Italy1 / 1
- Netherlands1 / 1
- Portugal1 / 1
›+2 more europe markets
- Spain1 / 1
- Sweden1 / 1
Asia-Pacific (2)
- Japan1 / 1
- South Korea1 / 1
Core markets (1/1 apps)
User Sentiment
How do users feel about their apps?
0
Positive apps
0
Neutral / mixed
1
Negative apps
25/100
Avg sentiment score
Rivals
Who does CTS EVENTIM AG compete with?
The rivals identified
Nemeses(2)
StubHub competes by providing a global secondary ticket marketplace that overlaps with the primary event discovery and purchasing functionality offered by EVENTIM DE.
StubHub competes for the same live-event audience by offering a massive secondary market inventory that captures users seeking tickets for sold-out events where EVENTIM DE: Tickets for Events lacks availability.
Contenders(10)
Both apps target live event attendees, competing for the same user base seeking concert and festival access via mobile ticketing platforms.
Both platforms compete for the same urban event-going audience, with Fever capturing market share through exclusive immersive experiences that bypass the standard ticketing inventory model.
Both apps serve live event attendees, but Gametime's focus on last-minute mobile-first transactions creates a direct competitive threat to EVENTIM DE's primary-market dominance by offering a more flexible user experience.
Both platforms compete for the same live event attendee audience by providing digital marketplaces for concert and theater tickets.
Both apps compete for the same live event attendee audience, with SeatGeek offering a secondary market alternative that challenges the primary-market inventory model of EVENTIM DE.
Both platforms function as event discovery and ticketing marketplaces, competing for the same user intent of booking live entertainment.
Both platforms compete for the same German live-event attendee base, with TicketSwap capturing secondary demand for sold-out inventory that EVENTIM DE cannot fulfill.
Both platforms target live event attendees, with viagogo providing a secondary marketplace that overlaps with the primary ticketing inventory of EVENTIM DE.
Both platforms function as ticket marketplaces for live events, competing for the same high-intent user base seeking concert and sports access.
XCEED targets the electronic music event segment, overlapping with the festival and concert catalog managed by EVENTIM DE. Both platforms facilitate event discovery and ticket purchasing for live entertainment.
Same space(33)
2NITE competes for the same event-discovery audience as Eventim by providing a radar for music events and presale codes.
Aggregates local event listings to provide discovery utility in regions where EVENTIM lacks data density.
Provides a specialized theatre-ticketing experience for US venues, serving as a direct-from-venue purchasing channel.
Operates as a transactional utility for venue-partnered events, though its reliance on bot-detection creates similar access friction to EVENTIM.
Captures concert-discovery intent through music library synchronization, acting as a top-of-funnel traffic source for ticketing platforms like EVENTIM.
DFB Event-App serves as a dedicated utility for DFB ticket holders, mirroring the ticket-management features found in Eventim.
entradas.com mirrors Eventim's core functionality by providing a centralized ticketing hub for the Spanish market.
Festnetz competes for regional event-discovery traffic, offering a clean, ad-free alternative to Eventim's commercial platform.
Fever competes for the same urban entertainment audience by offering exclusive, high-production pop-up experiences that generalist platforms like Eventim cannot replicate.
FNAC SPECTACLES provides a similar ticketing service to Eventim, specifically tailored to the French market.
Gametime captures the spontaneous segment of Eventim's audience by enabling ticket purchases well after an event has already started.
The DTM Official App serves as a specialized companion for motorsport fans, overlapping with Eventim's event-management utility.
Serves as a dedicated festival guide for specific events, providing location-specific updates that generalist apps like EVENTIM lack.
Acts as a personal live music tracker, allowing users to log their concert history and rate shows.
Functions as a centralized concert management hub that allows users to track artist tours and manage digital tickets.
Scans the entire web to aggregate local events, providing a broader discovery view than EVENTIM's inventory-linked search.
Combines social networking with event discovery, focusing on community-driven artist and track recommendations.
Targets the social-discovery segment of the event market, focusing on community-driven feeds rather than the utilitarian ticketing approach of EVENTIM.
Rausgegangen competes for the same local cultural audience as Eventim by focusing on expert-curated recommendations in German cities.
SeatGeek provides a similar marketplace for sports and concert tickets, competing for the same event-going users as Eventim.
Integrates social community features with ticketing, targeting music enthusiasts who prioritize peer-to-peer engagement over standard event booking.
Facilitates peer-to-peer theater ticket resale without markups, offering a value-based alternative to EVENTIM's primary-market focus.
ticket.io Scanner Next serves the organizer side of the ticketing ecosystem, complementing the consumer-facing tools provided by Eventim.
Offers a digitization tool for physical tickets, allowing casual sellers to enter the secondary market without professional-grade infrastructure.
Serves as a global alternative for high-demand event access, utilizing official partnerships with major sports leagues to secure primary inventory.
Provides a smartphone-based digital entry system for live events, mirroring the mobile-first ticketing goal of EVENTIM.
TicketSwap functions as a secondary marketplace for the same music and concert fans who use Eventim, providing a regulated alternative for sold-out events.
Provides a secondary market alternative that removes buyer-side service fees, appealing to price-sensitive users who find EVENTIM's pricing opaque.
TickPick competes for Eventim's price-sensitive users by eliminating buyer service fees on its secondary marketplace.
Offers a verified, face-value ticketing model for B2B event organizers, competing for the same primary inventory as EVENTIM.
Focuses on the theatre-specific niche, providing day-of access tools that complement EVENTIM's broader, generalist inventory.
Vivid Seats operates as a nationwide marketplace for live events, competing for the same ticket-buying audience as Eventim.
Vyno competes for the same spontaneous event-discovery audience as Eventim by using a swipe-based interface for local events.
New entrants(2)
MS DOCKVILLE Festival serves as a targeted companion app for Hamburg festival-goers, providing the same event-management utility as Eventim.
Users report: Tixel serves the same resale market as Eventim's secondary partners, focusing on fraud-resistant, face-value transactions.