Amazing Noises
For professional sound designers and electronic musicians utilizing mobile audio workflows for experimental music production.
Snapshot
Who is Amazing Noises?
Providing professional-grade audio mangling and experimental sound design tools for iOS-based electronic music producers.
Target audience
Portfolio
Free 2Last updated
GliderVerb
v2.8
6mo ago
Publisher DNA
What defines Amazing Noises?
Publisher DNA
Primary focus
iOS audio processing and sound design
Scale
indie
Target audience
Professional sound designers and electronic musicians utilizing mobile audio workflows for experimental music production.
Signature Patterns
- •Deep focus on experimental audio manipulation including granular and spectral processing
- •Standardized use of 'Control Manager' LFO systems for complex modulation across titles
- •Portfolio-wide integration of stereo sampling and external signal routing
- •Mixed monetization strategy utilizing both free entry-level tools and paid professional processors
Portfolio momentum
Extremely active development with 10 updates across 6 apps in the last 6 months and a major release within the last two weeks.
Portfolio
What does Amazing Noises ship?
Apps
6 apps analysed
Single-market publisher, every app ships only to United States.
Based on 2 of 6 apps with localized market data, more coverage rolling in as scans complete · last scanned .
Americas (1)
- United States2 / 2
Core markets (2/2 apps)
Rivals
Who does Amazing Noises compete with?
The rivals identified
Nemeses(1)
Both apps target iOS music producers, but Audiobus acts as the central routing host while Limiter functions as a processing node within those setups.
Contenders(8)
Both apps target iOS music producers seeking specialized audio processing tools, competing for space in mobile DAW workflows.
Both apps target iOS-based sound designers and electronic musicians with paid audio tools, competing for space in mobile production workflows via plugin integration.
Both apps target iOS sound designers with specialized audio processing tools and integrated samplers, competing for the same paid user base.
Both apps target iOS music producers and sound designers with sampling capabilities, competing for the same paid audio-tool budget.
Both apps target iOS music producers with standalone and integrated audio tools, competing for the same user workflow and screen time despite different primary audio functions.
Both apps target iOS audio producers with specialized effects processing, competing for the same standalone and integrated mobile audio workflows.
Both apps process iOS audio, but Audio Unit Player focuses on playback manipulation for practicing musicians while Limiter targets producers needing dynamic range control.
Both apps target iOS audio producers with peak limiting tools, competing directly for space in mobile digital audio workstation setups.
Same space(18)
Targets the same iOS-based music production audience as Limiter, providing generative sequencing instead of dynamic processing.
Provides modular microlooping effects that producers use alongside Limiter to create evolving, ambient soundscapes.
Offers parallel compression tools that producers use to add impact to audio, functioning as a companion to Limiter.
Enables users to stream internet radio into AUv3-compatible hosts, potentially feeding Limiter for real-time dynamic processing.
Offers broader audio editing and mixing tools that complement Limiter's specific peak-limiting focus in a mobile production workflow.
Shares the same AUv3 plugin ecosystem as Limiter, offering modulation-based delay effects for mobile music production.
Allows routing of web-based audio into production hosts, potentially serving as a source for Limiter's processing.
Provides basic volume and EQ adjustments that serve as a lighter, consumer-focused alternative to Limiter's professional processing.
Provides professional-grade reverb processing that producers often chain with Limiter in mobile DAW environments.
Targets the same mobile production audience as Limiter, providing professional-grade pitch correction within the AUv3 ecosystem.
Provides sound generation tools that producers often route through Limiter for final dynamic control and peak management.
Competes for the professional engineer's signal chain, offering high-precision frequency management that complements Limiter's dynamic range control.
Serves the same mobile DAW-based production ecosystem as Limiter, offering character-rich analog effects for sound design.
Offers sound generation capabilities that producers might process through Limiter to manage the output of chiptune-style tracks.
Acts as a direct peer in the audio mastering space, providing multi-effect processing for finalizing tracks and buses.
Serves the same casual audio-manipulation user base as Limiter, but focuses on creative reversal rather than peak control.
Targets casual listeners seeking volume and frequency enhancement, contrasting with Limiter's professional-grade dynamic range control.
Functions as a general-purpose recording and editing utility that users might pair with Limiter for pre-processing audio files.
The Analyst's Read
The bottom line on Amazing Noises
Bottom line
Amazing Noises is a technically proficient indie studio with a strong hold on the experimental iOS music niche. Their high weighted rating and intense update velocity indicate a sustainable, high-quality operation serving a dedicated professional audience.
Frequently asked questions
How many apps does Amazing Noises publish?
What kind of apps does Amazing Noises make?
What is Amazing Noises's top app?
In how many countries are Amazing Noises's apps available?
What fed this analysis
- Apps analyzed:
- 6
- With full intel:
- 0
- With overview:
- 6
- Website scraped:
- yes
- Social presence:
- no