Imaginando Lda
For electronic music producers, DJs, and visual artists seeking hardware-style control and advanced synthesis on mobile devices.
DRC - Polyphonic Synthesizer
Snapshot
Who is Imaginando Lda?
Professional-grade synthesis and MIDI control tools for musicians and visual artists, bridging the gap between desktop DAWs and mobile performance.
Target audience
Portfolio
Free 3Last updated
DRC - Polyphonic Synthesizer
v2.14.2
7mo ago
Publisher DNA
What defines Imaginando Lda?
Publisher DNA
Primary focus
Professional music production and MIDI control tools
Scale
studio
Target audience
Electronic music producers, DJs, and visual artists seeking hardware-style control and advanced synthesis on mobile devices.
Origin
Founded in 2014 to combine music with technology for inspiring creative experiences.
Signature Patterns
- •Deep integration with industry-standard protocols including MIDI, AUv3, and Ableton Link
- •Hybrid monetization strategy utilizing freemium modules, paid upfront titles, and free utilities
- •Focus on hardware emulation, specifically analog-modeled filters and granular synthesis
- •Modular architecture in controller apps allowing for customized user setups
- •Consistent visual identity prioritizing functional, high-density layouts for producers
Portfolio momentum
High development activity with 15 updates across the portfolio in the last 6 months, including recent launches for TV3 and VS 2.
Company profile
medium confidence- Founded
- 2014
Portfolio
What does Imaginando Lda ship?
Apps
11 apps analysed
Distributed across 8 markets, strongest in Europe.
Based on 1 of 11 apps with localized market data, more coverage rolling in as scans complete · last scanned .
Americas (2)
- Mexico1 / 1
- United States1 / 1
Europe (5)
- France1 / 1
- Germany1 / 1
- Italy1 / 1
- Netherlands1 / 1
- Spain1 / 1
Asia-Pacific (1)
- Japan1 / 1
Core markets (1/1 apps)
Rivals
Who does Imaginando Lda compete with?
The rivals identified
Nemeses(5)
Both apps target iOS musicians and sound designers with professional synthesis capabilities, creating direct competition for the same creative workflow.
AUM serves as the primary host environment where DLYM is deployed, acting as the central hub for signal routing and plugin management.
AudioTune occupies the same AUv3 plugin category as DLYM, focusing on vocal and instrument processing within mobile DAWs.
Both apps target mobile music producers, with BAM focusing on professional-grade AUv3 production while Drum Pad Machine captures the hobbyist segment through a grid-based interface.
Both apps target mobile music producers, with BAM focusing on professional-grade AUv3 production while Drum Pad Machine captures the hobbyist segment through a grid-based interface.
Contenders(29)
BA-1 FX Strip provides a free, AUv3-compatible alternative for 80s-style analog saturation and filtering.
Both apps are paid AUv3 audio plugins targeting the same iOS DAW user base, competing for limited mobile production budget and plugin slot space.
Both applications target mobile music producers with modulation effects, competing directly for space within the iOS audio processing market.
Animoog Z serves as a polyphonic alternative for sound designers using Moog's proprietary ASE technology.
Both plugins target music producers requiring chorus modulation for mobile DAW signal chains, creating direct competition for the same processing slot.
Both apps function as AUv3 audio effect plugins for iOS mobile DAWs, competing for the same music producer audience seeking chorus modulation.
Both applications target music producers and sound designers with multi-engine synthesis capabilities, competing directly for the same creative workflow budget.
Both apps target mobile music producers with beat-making workflows, creating direct competition for the same creative production time on iOS.
Both apps target mobile music producers, with BandLab's freemium model and social network competing for the same hobbyist audience that BAM serves as a professional-grade groovebox.
BLEASS Delay competes for the same insert-slot real estate in mobile DAWs by offering similar modulation-based sound design capabilities.
Rozeta provides generative MIDI sequencing tools that complement the sound design workflow of FRMS.
Both applications target mobile music producers with granular synthesis capabilities, creating direct competition for sound design workflows on iOS.
Both apps target music producers and sound designers, competing for the same mobile-first sound creation workflow through overlapping synthesis capabilities.
Both apps target mobile music producers seeking beat-making environments, with BAM providing a professional AUv3-hosted workflow while Groovebox offers a brand-backed, Ableton-integrated sketching tool.
Both apps are AUv3 modulation plugins targeting music producers, competing for the same signal-processing workflow in mobile DAWs.
Both apps target iOS music producers seeking vintage-style delay effects, with K7D focusing on analog tape character and GSDSP on modulation and filter-based sound design.
Both apps target iOS music producers via AUv3 plugin compatibility, competing for the same signal-processing workflow in mobile DAWs.
Both apps target the mobile music production market, competing for users seeking tools to create beats and rhythms on iOS devices.
Both apps target mobile music producers on iOS, competing for the same creative workflow space through groovebox and multi-track recording capabilities.
Both apps function as AUv3 delay effects for iOS, targeting the same music production audience with overlapping functionality in tape-modeled sound processing.
Both apps target professional sound designers and electronic music producers, competing for the same creative workflow budget within the audio sampling and manipulation category.
Both apps target the same electronic music producer demographic with granular synthesis engines priced within two dollars of each other.
Both apps target mobile music producers, with BAM focusing on professional-grade groovebox features and Medly on accessible, section-based composition.
Both apps target mobile music production, with BAM focusing on professional-grade AUv3 workflows and Beat Maker Pro targeting entry-level drum pad performance.
Both apps function as AUv3 audio effect plugins for iOS music producers, competing for the same signal-processing slot in mobile DAW projects.
Both applications function as AUv3 audio effect plugins for iOS DAWs, competing for the same music producer audience seeking stereo field manipulation and modulation tools.
Both apps target mobile music producers, but they diverge on production architecture: BAM focuses on local groovebox performance while Soundtrap centers on cloud-based collaborative workflows.
Both apps target mobile music producers with granular synthesis capabilities, creating direct competition for users seeking sound design tools within their DAW or AU host.
Both apps target mobile producers using AUv3-compatible DAWs for chorus processing, creating direct competition for signal chain slots.
Same space(29)
Alien Box provides experimental modulation textures that compete with DLYM's chorus and flanger effects for creative sound design.
Axon 3 uses neural networks for probability-based drum sequencing to complement granular sound design.
Dustbin AUv3 offers a creative, experimental alternative to K7D for producers seeking unconventional distortion textures.
ShapeStage offers a more complex, morphing-based approach to audio effects compared to DLYM's dual-mode modulation.
Relic Waves generates infinite lo-fi textures using algorithmic synthesis for ambient production.
This app offers a specialized performance-based sequencing approach that contrasts with BAM's standard step sequencer.
Mantis provides a vintage BBD delay alternative for producers seeking the specific warm character of 1970s hardware.
Tape Loop Machine offers a specialized ambient looping workflow that differentiates it from K7D's standard tape delay focus.
AI Sound Effects Generator provides a generative alternative for creating sound effects without manual synthesis.
Chorus Sampler is a standalone utility that uses MIDI hardware integration to trigger samples, contrasting with DLYM's role as a DAW-hosted effect.
This app automates the music creation process, offering a generative alternative to the manual production workflow found in BAM.
EGSY01 provides a hybrid synthesis engine that serves as a sound source for the delay effects found in K7D.
SpaceFields acts as an ambient effect processor for transforming the output of granular synthesizers.
RE-1 Tape Machine competes directly with K7D by providing a similar vintage tape echo effect for the same mobile music production demographic.
This app targets the same casual beat-making demographic as BAM but emphasizes a library-first approach with frequent content updates.
This app provides real-time processing for music playback, serving as a utility for training rather than a production-focused plugin.
OCTACHRON focuses on MIDI drum sequencing to drive external sound engines like FRMS.
This app provides a simplified, low-cost alternative for users who find BAM's professional-grade interface too complex.
This app serves as a multi-instrument entry point for beginners, whereas BAM focuses on a professional-grade groovebox workflow.
This app targets the same casual music creation audience as BAM but utilizes a high-frequency ad model to monetize the free-to-play user base.
This platform competes for the same mobile-first creative time by offering social competition and recording tools for hip-hop artists.
Galaxy Brain combines frequency shifting and delay, offering a more expansive modulation set than DLYM's focused chorus and flanger.
This app expands beyond audio production into multimedia, offering a broader creative suite than BAM's focused groovebox.
Silo shares the granular synthesis focus while adding specialized spatialization and reverb processing.
Kauldron offers an analog-modeled synthesis alternative with AI-driven preset generation for rapid sound creation.
Phonolyth Cascade functions as a diffusion and reverb processor to expand the sonic palette of granular patches.
SoundLab functions as a full production suite, providing a broader editing environment for the same mobile music producers who use K7D for specific delay effects.
Audio Editor serves the same mobile music audience as K7D but focuses on general-purpose utility rather than specialized analog tape emulation.
This app provides automated utility tools that assist songwriters, serving as a functional supplement to BAM's manual production environment.
New entrants(3)
This app uses generative AI to bypass the manual sequencing and sound design steps required in BAM.
J-Chorus is a direct substitute for DLYM, focusing specifically on vintage BBD-style chorus effects for mobile users.
This app focuses on quick, guided beat sketches, providing a lower barrier to entry than BAM's professional-grade production suite.
The Analyst's Read
The bottom line on Imaginando Lda
Bottom line
Imaginando is a technically proficient studio that has successfully carved out a niche in the professional mobile music market. Their commitment to high-fidelity synthesis and robust DAW connectivity makes them a primary choice for producers looking to integrate mobile devices into professional studio or stage environments.
Frequently asked questions
How many apps does Imaginando Lda publish?
What kind of apps does Imaginando Lda make?
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In how many countries are Imaginando Lda's apps available?
What fed this analysis
- Apps analyzed:
- 11
- With full intel:
- 0
- With overview:
- 11
- Website scraped:
- yes
- Social presence:
- yes
