Imaginando Lda
For electronic music producers, DJs, and visual artists seeking hardware-style control and advanced synthesis on mobile devices.
DRC - Polyphonic Synthesizer
Snapshot
Who is Imaginando Lda?
Professional-grade synthesis and MIDI control tools for musicians and visual artists, bridging the gap between desktop DAWs and mobile performance.
Target audience
Portfolio
Free 3Last updated
DRC - Polyphonic Synthesizer
v2.14.2
6mo ago
Publisher DNA
What defines Imaginando Lda?
Publisher DNA
Primary focus
Professional music production and MIDI control tools
Scale
studio
Target audience
Electronic music producers, DJs, and visual artists seeking hardware-style control and advanced synthesis on mobile devices.
Origin
Founded in 2014 to combine music with technology for inspiring creative experiences.
Signature Patterns
- •Deep integration with industry-standard protocols including MIDI, AUv3, and Ableton Link
- •Hybrid monetization strategy utilizing freemium modules, paid upfront titles, and free utilities
- •Focus on hardware emulation, specifically analog-modeled filters and granular synthesis
- •Modular architecture in controller apps allowing for customized user setups
- •Consistent visual identity prioritizing functional, high-density layouts for producers
Portfolio momentum
High development activity with 15 updates across the portfolio in the last 6 months, including recent launches for TV3 and VS 2.
Company profile
medium confidence- Founded
- 2014
Portfolio
What does Imaginando Lda ship?
Apps
11 apps analysed
Distributed across 8 markets, strongest in Europe.
Based on 1 of 11 apps with localized market data, more coverage rolling in as scans complete · last scanned .
Americas (2)
- Mexico1 / 1
- United States1 / 1
Europe (5)
- France1 / 1
- Germany1 / 1
- Italy1 / 1
- Netherlands1 / 1
- Spain1 / 1
Asia-Pacific (1)
- Japan1 / 1
Core markets (1/1 apps)
Rivals
Who does Imaginando Lda compete with?
The rivals identified
Nemeses(2)
Both apps target iOS musicians and sound designers with professional synthesis capabilities, creating direct competition for the same creative workflow.
AudioTune occupies the same AUv3 plugin category as DLYM, focusing on vocal and instrument processing within mobile DAWs.
Contenders(16)
Both applications target mobile music producers with modulation effects, competing directly for space within the iOS audio processing market.
Both apps function as AUv3 audio effect plugins for iOS mobile DAWs, competing for the same music producer audience seeking chorus modulation.
Both applications target music producers and sound designers with multi-engine synthesis capabilities, competing directly for the same creative workflow budget.
BLEASS Delay competes for the same insert-slot real estate in mobile DAWs by offering similar modulation-based sound design capabilities.
Rozeta provides generative MIDI sequencing tools that complement the sound design workflow of FRMS.
Both applications target mobile music producers with granular synthesis capabilities, creating direct competition for sound design workflows on iOS.
Both apps target music producers and sound designers, competing for the same mobile-first sound creation workflow through overlapping synthesis capabilities.
Both apps are AUv3 modulation plugins targeting music producers, competing for the same signal-processing workflow in mobile DAWs.
Both apps target professional sound designers and electronic music producers, competing for the same creative workflow budget within the audio sampling and manipulation category.
Both apps target the same electronic music producer demographic with granular synthesis engines priced within two dollars of each other.
Animoog Z serves as a polyphonic alternative for sound designers using Moog's proprietary ASE technology.
Both plugins target music producers requiring chorus modulation for mobile DAW signal chains, creating direct competition for the same processing slot.
Both apps function as AUv3 audio effect plugins for iOS music producers, competing for the same signal-processing slot in mobile DAW projects.
Both applications function as AUv3 audio effect plugins for iOS DAWs, competing for the same music producer audience seeking stereo field manipulation and modulation tools.
Both apps target mobile music producers with granular synthesis capabilities, creating direct competition for users seeking sound design tools within their DAW or AU host.
Both apps target mobile producers using AUv3-compatible DAWs for chorus processing, creating direct competition for signal chain slots.
Same space(17)
Alien Box provides experimental modulation textures that compete with DLYM's chorus and flanger effects for creative sound design.
Warp shares DLYM's AUv3 plugin architecture and mobile-first design, focusing on creative audio manipulation rather than standard modulation.
This plugin is a direct competitor to DLYM, providing a specialized stereo analog flanger for the same mobile DAW audience.
Relic Waves generates infinite lo-fi textures using algorithmic synthesis for ambient production.
Axon 3 uses neural networks for probability-based drum sequencing to complement granular sound design.
Schlap complements DLYM in a signal chain by providing dynamic control that shapes the transients before modulation effects are applied.
AI Sound Effects Generator provides a generative alternative for creating sound effects without manual synthesis.
ShapeStage offers a more complex, morphing-based approach to audio effects compared to DLYM's dual-mode modulation.
Chorus Sampler is a standalone utility that uses MIDI hardware integration to trigger samples, contrasting with DLYM's role as a DAW-hosted effect.
SpaceFields acts as an ambient effect processor for transforming the output of granular synthesizers.
AUM serves as the primary host environment where DLYM is deployed, acting as the central hub for signal routing and plugin management.
This app provides real-time processing for music playback, serving as a utility for training rather than a production-focused plugin.
OCTACHRON focuses on MIDI drum sequencing to drive external sound engines like FRMS.
Galaxy Brain combines frequency shifting and delay, offering a more expansive modulation set than DLYM's focused chorus and flanger.
Silo shares the granular synthesis focus while adding specialized spatialization and reverb processing.
Kauldron offers an analog-modeled synthesis alternative with AI-driven preset generation for rapid sound creation.
Phonolyth Cascade functions as a diffusion and reverb processor to expand the sonic palette of granular patches.
New entrants(1)
J-Chorus is a direct substitute for DLYM, focusing specifically on vintage BBD-style chorus effects for mobile users.
The Analyst's Read
The bottom line on Imaginando Lda
Bottom line
Imaginando is a technically proficient studio that has successfully carved out a niche in the professional mobile music market. Their commitment to high-fidelity synthesis and robust DAW connectivity makes them a primary choice for producers looking to integrate mobile devices into professional studio or stage environments.
Frequently asked questions
How many apps does Imaginando Lda publish?
What kind of apps does Imaginando Lda make?
What is Imaginando Lda's top app?
In how many countries are Imaginando Lda's apps available?
What fed this analysis
- Apps analyzed:
- 11
- With full intel:
- 0
- With overview:
- 11
- Website scraped:
- yes
- Social presence:
- yes
