Audio Damage
For music producers, sound designers, and live performers using iOS-based digital audio workstations (DAWs).
Enso Looper
Snapshot
Who is Audio Damage?
Providing professional-grade AUv3 audio processors and instruments for mobile music production and live performance.
Target audience
Portfolio
Free 2Last updated
Enso Looper
v1.1.8
1y ago
Publisher DNA
What defines Audio Damage?
Publisher DNA
Primary focus
Professional AUv3 audio effects and instruments
Scale
indie
Target audience
Music producers, sound designers, and live performers using iOS-based digital audio workstations (DAWs).
Signature Patterns
- •Standardized on AUv3 architecture for seamless integration with mobile DAWs
- •Focus on niche, experimental audio processing including granular and multi-mode effects
- •Premium 'paid-up-front' monetization model for specialized creative tools
- •High-frequency update cycle to ensure compatibility with mobile OS versions
Portfolio momentum
Maintained a high development cadence with 5 updates or releases across their 5-app portfolio in the last 6 months.
Portfolio
What does Audio Damage ship?
Apps
21 apps analysed
Analysis in progress
Analysis in progress
Analysis in progress
Analysis in progress
Single-market publisher, every app ships only to United States.
Based on 4 of 21 apps with localized market data, more coverage rolling in as scans complete · last scanned .
Americas (1)
- United States4 / 4
Core markets (4/4 apps)
Rivals
Who does Audio Damage compete with?
The rivals identified
Nemeses(1)
BandLab competes for the same mobile-first music creator audience, offering a comprehensive DAW ecosystem that dwarfs RoughRider3's specialized utility focus.
Contenders(4)
AudioSnap competes for the casual audio editing market, overlapping with RoughRider3's user base of mobile sound tinkerers.
iWriteMusic SE competes for the attention of mobile musicians looking for utility-based music apps on iOS.
Both apps serve the mobile music production market, though Touch Notation focuses on composition while RoughRider3 focuses on signal processing.
This app competes for the same professional audio user base, specifically those managing live sound and hardware-based signal chains.
Same space(4)
Both apps are high-end audio tools for iOS, though one is for playback control and the other for signal processing.
This app occupies the same 'Music' category on the App Store, though it serves a fan-engagement use case.
LiveTrackz provides content for the same mobile music creation audience that uses RoughRider3 for processing.
This app serves the professional audio market, specifically targeting users of PreSonus hardware mixing consoles.
New entrants(2)
Grip is a new entrant targeting the same professional music production workflow as RoughRider3.
TAPESCAM is a direct competitor in the audio effects space, offering vintage-style processing similar to RoughRider3.
The Analyst's Read
The bottom line on Audio Damage
Bottom line
Audio Damage is a disciplined indie studio that provides essential high-end utilities for the mobile music production market. Their commitment to the AUv3 standard and specialized DSP makes them a primary choice for professional iPad-based producers.
Frequently asked questions
How many apps does Audio Damage publish?
What kind of apps does Audio Damage make?
What is Audio Damage's top app?
In how many countries are Audio Damage's apps available?
What fed this analysis
- Apps analyzed:
- 5
- With full intel:
- 0
- With overview:
- 5
- Website scraped:
- yes
- Social presence:
- yes