Tick It SAL
Tick'it - Explore Music Events
Snapshot
Publisher DNA
What defines Tick It SAL?
AI intelligence is not yet available for Tick It SAL. The portfolio data below is up to date.
Portfolio
What does Tick It SAL ship?
Apps
2 apps analysed
Event creation tools allow users to organize complex gatherings with only a few quick taps
- Simple and visually appealing interface design makes navigating the event selection process feel effortless for users
- Failure to refresh ticket inventory in real time prevents users from securing seats during high-demand sales
Analysis in progress
Single-market publisher, every app ships only to United States.
Based on 1 of 2 apps with localized market data, more coverage rolling in as scans complete · last scanned .
Americas (1)
- United States1 / 1
Core markets (1/1 apps)
User Sentiment
How do users feel about their apps?
0
Positive apps
1
Neutral / mixed
0
Negative apps
50/100
Avg sentiment score
Rivals
Who does Tick It SAL compete with?
The rivals identified
Nemeses(2)
Both platforms target live event attendees, with Ticketmaster capturing the high-demand, official-access segment that Tick'it attempts to serve in its regional markets.
TickPick competes by offering a zero-service-fee ticket marketplace for concerts and live events, directly challenging the booking functionality of Tick'it.
Contenders(11)
Both applications target the event discovery and ticketing market, creating direct competition for users seeking nightlife and concert access.
Both apps compete for the same user base of nightlife enthusiasts by providing centralized event discovery tools for local music and club performances.
Both platforms target nightlife enthusiasts and concert-goers in urban centers, competing directly for the same user base by facilitating event discovery and booking.
Both applications target live entertainment discovery and ticket purchasing, competing for the same regional event-goer audience.
Both platforms target nightlife event discovery and booking, with Discotech providing a direct alternative for guest list and VIP table reservations in major global nightlife hubs.
Both applications function as event discovery and ticketing platforms, competing for users seeking to book live music and entertainment experiences.
Both applications target the same nightlife and event discovery audience, competing directly on venue search and ticket booking functionality.
Both apps target urban residents seeking local event discovery, creating direct competition for the same user base in the event-discovery category.
Both apps target music event discovery and ticket booking, creating direct competition for the same user base of concert-goers and nightlife enthusiasts.
Both apps target concert and festival discovery, competing for the same user base interested in live music events.
Both platforms target live event attendees, but TickPick captures the transaction-heavy secondary market while Tick'it focuses on regional discovery. TickPick's no-fee pricing model directly competes for the same user wallet share in the live entertainment sector.
Same space(39)
2NITE competes for the same music-event audience by providing a radar for upcoming concerts and presales.
AllEvents shares the same goal of local event discovery, particularly in rural areas where data density is lower.
AXS Tickets targets the same concert and sports audience as Tick'it, utilizing proprietary digital-entry technology to secure primary inventory.
Hello Events serves the same discovery audience by allowing venues and artists to publish event information.
DICE targets the same concert-going audience as Tick'it, focusing on a secure, mobile-native ticketing flow.
entradas.com competes for the same Spanish-speaking event-seeking audience by providing a centralized ticketing hub.
Eventbrite acts as a massive transactional incumbent that captures the broad event-discovery market Tick'it targets, but with a significantly larger scale of 1.9M+ ratings.
EVENTIM UK targets the same concert and theatre audience as Tick'it, providing a secure platform for ticket booking.
Festnetz competes for the same regional discovery audience by providing a clean, ad-free utility for finding local events.
Fever targets the same urban nightlife audience but focuses on exclusive, high-production pop-up experiences.
Fever targets the same experience-seeking audience as Tick'it but focuses on exclusive, high-profile immersive events.
Flite Discovery serves the same concert and nightlife audience by centralizing event discovery and ticket management.
Gametime captures the same spontaneous event-goers by allowing ticket purchases after an event has already started.
Gametime competes for the same last-minute concert and event audience as Tick'it, focusing on high-velocity mobile transactions.
Revv Events targets the same cultural and festive audience by providing local event guides in specific French cities.
Club Global targets the same nightlife audience as Tick'it, focusing on instant booking for tables and tickets.
Club Everywhere targets the same nightlife audience as Tick'it, providing a consolidated booking platform for events and VIP sections.
Headlinr targets the same concert-going audience as Tick'it, focusing on tracking and remembering live music experiences.
Live Nation serves the same concert-going audience as Tick'it, acting as a centralized hub for artist tracking and ticket management.
locallive.music targets the same local music audience as Tick'it, focusing on aggregating fragmented social media event data.
Luma competes for the same user attention by consolidating discovery and ticketing into a single interface.
Map Events serves the same local discovery audience by centralizing various event types on a map-based interface.
Mood targets the same event-discovery audience as Tick'it, focusing on aggregating data from across the web.
Posh targets the same social event-goers by providing a dual-sided marketplace for discovery and organizer management.
Posh targets the same social event-discovery audience as Tick'it, using an immersive feed to drive engagement.
Rausgegangen competes for the same urban cultural audience by providing curated event discovery in specific metropolitan areas.
SeatGeek provides a similar marketplace for concert and festival tickets, competing for the same event-seeking users.
SeatGeek serves the same live-event audience as Tick'it but uses algorithmic pricing to reduce purchase friction.
Seen Live targets the same music-event audience as Tick'it, focusing on documentation and social sharing of live experiences.
Skiddle targets the same UK-based live music audience as Tick'it, focusing on rapid ticket purchasing.
StubHub serves the same global event audience by providing a massive, curated marketplace for concerts and festivals.
StubHub competes for the same concert-going audience as Tick'it but focuses on secondary market inventory aggregation rather than primary event management.
Thursday Events targets the same nightlife-seeking demographic but focuses specifically on singles and social gatherings.
TicketSwap serves the same music-event audience by providing a secondary market for sold-out tickets.
TicketSwap targets the same event-going audience as Tick'it, focusing on regulated secondary market access.
TodayTix serves the same theatre-going audience as Tick'it, using specialized access mechanisms to secure hard-to-get seats.
viagogo provides a massive inventory of secondary tickets that overlaps with the concert and festival discovery needs of Tick'it users.
Vivid Seats offers a marketplace for tickets that competes for the same high-intent concert and festival attendees.
Vivid Seats targets the same live-event audience as Tick'it, using a loyalty-based retention loop to drive repeat purchases.
New entrants(3)
Baziik Live targets the same concert-seeking audience by providing a map-based discovery tool for local performances.
EX17 Events targets the same nightlife audience as Tick'it, using a live map to show events where they happen.
Zova targets the same nightlife audience as Tick'it, using vibe-based curation to generate social itineraries.
